Cost
Producing a movie in Bollywood once was an extremely risky undertaking, often undertaken by one individual, such as Raj Kapoor for his 1970 film Mera Naam Joker.
Today, however, India’s film industry is facing a crisis; rising production costs have driven many filmmakers into bankruptcy.
Cost of filming
Bollywood is one of the world’s premier film industries, producing over 2,000 movies annually across multiple languages. Unfortunately, its recent box office performance has been underwhelming and profitability under strain; to regain their dominance producers must revaluate how they make movies including how they spend budgets.
One major issue threatening Bollywood budgets has been rising actor fees, which can account for as much as 80% of film budgets. This has put filmmakers into an untenable situation and will only continue to erode financial health of the industry.
One challenge facing Bollywood films today is their inability to provide sufficient entertainment quotient and attention span, which have seen their audiences decline over time. Movie-goers want a quality product from cinema halls; that requires an expensive production budget; with streaming services taking over ticket sales revenue streams away from Bollywood films.
Janhvi Kapoor, an emerging star awaiting the release of her film Mr & Mrs Mahi, acknowledges Bollywood’s high entourage costs and is protective of her team. Additionally, she thinks that budgeting must take more into consideration than just film’s total cost.
Cost of production
As the cost of producing movies in Bollywood continues to escalate, producers are seeking alternative sources of financing. While some producers have had success finding such sources, others have found them hard to access due to lack of transparency within the industry – film budgets tend to be inflates to pay actors and stars while remaining expenditure is spent on graphics, shooting locations overseas locations or shooting scenes in local locations; experts estimate figures released by producers are overinflated by 25-50 per cent.
Before the Indian film industry received industry status, independent producers needed to rely on private moneylenders and corporate investments for financing. Since this change has taken place, there has been a change in financing practices; now corporatized production houses such as Dharma Productions (Karan Johar), Nadiadwala Grandson Entertainment and Eros International have become preferred financing sources among Bollywood producers.
Experts cite corporatization of the industry as one of the main reasons for its decline, shifting filmmakers away from creative processes towards business considerations and thus decreasing quality film output. Finding audiences for these movies also becomes difficult and they must invest more money to promote them on digital platforms.
Cost of distribution
Film producers in India must spend considerable money on purchasing the rights to distribute their movies. Distribution costs play a key role in determining profitability for Bollywood movies and also affect market share and distribution channels; films with larger budgets and star casts tend to cost more.
Piracy of Bollywood movies has also contributed to rising distribution costs. Piracy has had an enormous impact on film revenue as it causes movie makers to lose millions in revenue while losing credibility with audiences.
Costing of Bollywood films depends on a variety of factors, including its genre and location. A war movie will require hundreds of extras with expensive equipment to shoot battle scenes; additionally, professional action directors must oversee them properly. Meanwhile, thriller or spy films typically include outdoor shoots at exotic locations that add significant costs.
Even with all these expenses, Bollywood’s top stars still find ways to make significant amounts. Celebrities can afford luxurious lifestyles while taking risks associated with creating films; additionally, their films gain in popularity which allows them to sell merchandize.
Cost of marketing
Bollywood film companies invest enormously in marketing their films. While traditional methods like billboards and posters remain effective methods for promotion, these days film studios also use social media, portals, search engines, mobile applications, interviews with local newspapers and TV channels, promotional campaigns as well as paid interviews in local papers or TV channels to build buzz about their film(s) as a form of promotion – while honest media organizations must disclose when sponsored interviews have taken place (which many do not).
Bollywood faces another significant hurdle due to high ticket prices and limited theater capacity. India ranks low when it comes to film screening, boasting only one screen for every 96,300 residents – meaning ticket prices tend to skyrocket and theatres are often packed out throughout the year.
To combat this problem, OTT platforms have begun mandating that Bollywood producers release a theatrical version of their film prior to acquiring digital rights. This allows them to take advantage of increased demand for Bollywood movies while still making them accessible globally; furthermore it provides tangible proof of its popularity and builds customer loyalty. Unfortunately this approach also increases risk for copyright infringement as well as revenue lost through illegal downloads.